Star-driven films are often packed with such dissonances, especially when the РІР‚ВheroРІР‚в„ў fights on behalf of the oppressed while belonging to the oppressor community. Lilly even puts her harasser, father and Bobby in the same box for not respecting her agency, and says РІР‚СљYou (men) are all the sameРІР‚Сњ. His insensitive coercion underlines the male saviourРІР‚в„ўs failure to perceive LillyРІР‚в„ўs trauma. After supposedly transforming into a РІР‚ВtrueРІР‚в„ў comrade, thanks to the mountains, you would think Bobby would have a better understanding of how power operates, and would know better than to yell at a woman to РІР‚Вbe braveРІР‚в„ў. He does the same with a classmate at the beginning of the film, chiding her after she is driven to attempt suicide because of a stalker. He even calls her a РІР‚ВloserРІР‚в„ў for hesitating. Until then, Bobby is rather callous in pushing Lilly to speak up. She eventually stands up to her harasser on her own, and seems to find it cathartic. Lilly does object to his saviour complex, and the film does give her character a lot of importance and agency in general. His aggression returns when he finds out that Lilly was sexually harassed, and he's hellbent on getting justice for her. On his grandfatherРІР‚в„ўs advice, Bobby goes to Ladakh to deal with the break-up, and all the solitude and introspection apparently teach him to be a 'real comrade'.Р”В«obby returns to find Lilly depressed, having given up her promising cricketing career because of a traumatic incident. The only red flag Lilly sees is BobbyРІР‚в„ўs violent behaviour, and she leaves him because of this. With Acharya and Virata Parvam underway this year, we look at how the communist movement and the politics of the Left have been depicted in mainstream Telugu films in recent years. The year 2019 saw the release of two major Telugu films set in the backdrop of Left politics on college campuses: George Reddy and Dear Comrade.

Yet, many such films, while certainly carrying political and cultural significance, have not exactly been part of mainstream Telugu cinema. This loosely defined bracket - sometimes called Erra cinema or Red cinema - includes a few well-known or acclaimed films like Goutam GhoseРІР‚в„ўs Maa Bhoomi (1979), Dhavala SatyamРІР‚в„ўs Yuvatharam Kadilindi (1980), R Narayana MurthyРІР‚в„ўs Erra Sainyam (1994) and Dasari Narayana RaoРІР‚в„ўs Osey Ramulamma (1997). Telugu cinema has a significant history of films portraying the politics of the Left, including the Naxalite movement in the state. Director Koratala Siva has described the film as РІР‚СљA Comrade's quest for Dharma.РІР‚Сњ Venu UdugulaРІР‚в„ўs Virata Parvam is another upcoming Telugu film based on radical left politics, with Priyamani and Sai Pallavi playing Naxalites and Rana Daggubati in the role of a policeman, according to reports. In his upcoming film Acharya, Chiranjeevi is set to play a left-wing revolutionary.

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